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Two lovers, Don Alvaro and Leonora, are preparing to elope, but they are surprised by the young woman's father. Misfortune follows them when Don Alvaro, while throwing his pistols on the ground, unintentionally fires one and kills the father. Fortune is capricious and laughs at the fate of men.

暂无剧情简介

Américo Esquivel, the owner of the Grand Hotel, is tortured to death by his own employees, who want to seize the treasure hidden by the old man.

A retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but strikingly less psychological and bloody than Richard Strauss's opera "Salome".

Verdi's most famous opera is performed at the Arena of Verona in Italy. Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida. This production is conducted by Anton Guadagno and features performances by Maria Chiara, Fiorenza Cossotto and Nicola Martinucci.

Cheryl Studer, in the title role, leads an excellent cast in Elijah Moshinsky's 1994 production of Verdi's extravagant and magnificent Egyptian opera. Aida was acclaimed at its first performance in 1871 and has grown in stature ever since to become one of the best-loved and most performed grand operas of all time.

La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but, when it’s a new production, it becomes a major event, especially given the theatre’s notoriously critical audience. Legendary stage director Peter Stein succeeds in delivering a lucid production acclaimed in equal measure by the press and public: “a perfect coup de théâtre” (Giornale della musica). A “stellar cast” (La Stampa) contributes to the production’s success under the musical direction of Verdi specialist Zubin Mehta, who leads the orchestra in a “gorgeously colourful performance”, while “the entire ensemble is brilliant in its portrayal of the characters” (Die Presse).

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